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howard_433@hotmail.com
http://www.alex-howard.co.uk
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Jan 30
Jochen Lempert - Coevolution, via 5B4

Jochen Lempert - Coevolution, via 5B4


Torbjorn Rodland - Before Behind Above Below @ Air de Paris

Torbjorn Rodland - Before Behind Above Below @ Air de Paris


Jan 27

a short video on Boris Mikhailov’s Case History, via develop tube


August Sander

August Sander


Joe Skilton

Joe Skilton

(via poisonarmsonline)


Bruce Wrighton

Bruce Wrighton


Bruce Wrighton
Yesterday I saw a parking attendent who had just the right look in his eyes. I didn’t even introduce myself, I said,’Can I take your picture?’ And either because I was so forceful, or he was so open, or there was something in my sincerity, he just said, ‘Sure’.
He was a fairly young kid. Weeping eyes. Eyes that really spoke of the pain of having to struggle versus really wanting to find a home. As I chatted with him as I was making the picture – again setting up the 8 by 10 is not like the snap-snap of an SLR. It takes 16 minutes to get the whole thing together. It’s a comittment and it’s a building relationship.
I find that important because I need to develop some kind of rapport with these people. So during that rapport building session, he mentioned he was going in the army. I said to myself, ‘Gee that’s just so fitting’. To me when a young kid tells me they’re going in the army and they’re working in some parking lot or something like that; I don’t know for certain, but I say’This kid’s looking for direction’. But in his eyes I got the sense that the direction had to come from within him.
Anyway, the kid had a nice pink shirt and red hair and a red hat. There were aesthetic reasons as well (he laughs), the psychological and the spiritual element have to be there, but as well a successful image for me has to be aesthetically balanced.
An interview here / more work here

Bruce Wrighton

Yesterday I saw a parking attendent who had just the right look in his eyes. I didn’t even introduce myself, I said,’Can I take your picture?’ And either because I was so forceful, or he was so open, or there was something in my sincerity, he just said, ‘Sure’.

He was a fairly young kid. Weeping eyes. Eyes that really spoke of the pain of having to struggle versus really wanting to find a home. As I chatted with him as I was making the picture – again setting up the 8 by 10 is not like the snap-snap of an SLR. It takes 16 minutes to get the whole thing together. It’s a comittment and it’s a building relationship.

I find that important because I need to develop some kind of rapport with these people. So during that rapport building session, he mentioned he was going in the army. I said to myself, ‘Gee that’s just so fitting’. To me when a young kid tells me they’re going in the army and they’re working in some parking lot or something like that; I don’t know for certain, but I say’This kid’s looking for direction’. But in his eyes I got the sense that the direction had to come from within him.

Anyway, the kid had a nice pink shirt and red hair and a red hat. There were aesthetic reasons as well (he laughs), the psychological and the spiritual element have to be there, but as well a successful image for me has to be aesthetically balanced.

An interview here / more work here


Jan 26
portrait of Fyodor Dostoyevsky

portrait of Fyodor Dostoyevsky


Jem Southam

Jem Southam


Jan 25
van Gogh

van Gogh


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